Wednesday, July 25, 2012

Street Scenes

Street photography is a popular genré, and probably has only increased in popularity since people like Cartier-Bresson, Atget and Doisneau brought it to the masses during the era when Leica revolutionised photography-on-the-move. (To be precise, Atget was only appreciated after his death, but that's another story.)

But over the decades, 'street photography' has never been an easy genré to define; it easily overlaps with other categories such as portraits, landscapes and still life. And it has given rise to innumerable clichés, some of which are discussed in this article by Gordon Lewis.

For what it's worth, I think street photography should not aspire to be 'too much', or look too imposing, or attempt to convey coerced messages. The viewer should 'feel' the place through the picture, and the message (if any) should come across through the integrity and honesty of the photograph. The best 'street photography' can only happen when the photographer actually becomes one with the street.


* * *


On 30 May, Tim and I visited the Connaught pasar malam. Despite living so nearby, I've only been to it no more times than I can count on one hand.

He wanted to try out his new 105mm, and I thought it would be a good opportunity to put the FM10 through its paces—it had not seen much action, if any, since the Kuching trip in July last year—a manual camera for 'street scenes' in the style of the old photojournalists.


View from the overhead bridge.




Char koay teow man.



Fried chicken.



The vendor and her audience.




* * *


A few days later, I decided to bring the same camera (with the same 28mm lens) on the BF Ipoh trip. The Old Town has been exhaustively photographed over the years; as Geoff Dyer wrote in The Ongoing Moment, the bar has been set so high that I was free to walk right under it. So, I decided to do the obvious, and literally just shoot whatever I was witness to.


Literally, a 'street' scene: an intersection.



Another intersection.



Concubine Lane.

Not quite the happening place it was in its heyday, but Jia's family runs a very nice restaurant there, comfortably tucked away from the main thoroughfare.



Shoes and debris, Concubine Lane.



Noodles crossing the road, in front of Sin Yoon Loong coffee shop.



The LUNA van.

If you know what colour the van is, it probably indicates how old you are. Either that, or the fact that you're still using classic colour pencils in spite of your youth and this hyperdigital era—wonderful!


* * *


Two Saturdays ago, I came across this screen by the main escalator at KL Sentral.


'Time Machine TV' was true in an unlikely sense: the show being screened was ThunderCats (the 2011 version), which now runs every Saturday on TV3, I think. It brought back memories because I used to watch the original '80s ThunderCats many years ago.

I still think of Lion-O as a super-muscular adult-bodied cat, and not a teenage fledgling of a warrior. But at least they kept the awesome theme song!

Friday, July 20, 2012

Just between you and me

On the surface I am making myself useful by teaching and doing documentation projects for the University. But why should I conform to the ‘production line’ mentality in which every endeavour must result in something marketable/of commercial value?

I consider myself a creator: I write, I take photos, I paint, I create. I don’t sell these things, and only a handful of friends ever see them. So why do I do what I do? Simply because I consider all of this training and practice: the discipline of a craftsman.

The ‘usual’ path consists of either jumping into the corporate sector after graduating, else staying in academia and pursuing a higher degree. But I’m taking my time, I’m observing the world and learning things—not necessarily better things, but different things than if I’d gone down any of those other paths. And all of this is invariably moulding me, preparing me for challenges I have yet to face.

So I don’t have the career momentum many of my friends are gaining; I’m not on my way to a PhD like a good number of my friends are; but I’m nonetheless growing in knowledge and skill, sharpening my abilities day by day. And one day, I believe all of this will be worth it, and when that day comes, these abilities will, I believe, serve their turn.


(Thoughts after dinner at Jalan Bangkung, 18 July 2012.)

Wednesday, July 11, 2012

Lynn Johnson on Vanishing Voices

This is the kind of photographer I want to be: http://photography.nationalgeographic.com/photography/photographers/photographer-lynn-johnson/

Ever since I saw Lynn Johnson's work on the National Geographic's van Gogh story some time back, I fell in love with her style and approach.

Her astonishing portfolio for the July 2012 feature article on endangered languages: http://ngm.nationalgeographic.com/2012/07/vanishing-languages/johnson-photography

Monday, July 02, 2012

d'NA Taiping: Revisited

Out of curiosity, and because Tim showed me his recent Taiping portfolio, I rescanned my d'NA Taiping 2009 photos, this time on the Plustek scanner at home.

Joan left a comment on this post asking about the group picture on the rocky wall, and I shall begin there.


* * *



d'NAers at the rocky wall on the trail up Bukit Larut.



d'NAers on a rock, on the Bukit Larut descent.



Tree ferns, Bukit Larut.



Joan at the Allied War Cemetery, Taiping.



View into the lobby, Peking Hotel, Taiping.

(Note the incredible tonal range from the bright signage out front, to the relatively dim hallway.)



Road crossing at night; view from a passing train.

Makes me think of Eric Peris's work on moving dancers. In his words: "I have even reduced Ramli Ibrahim to a blur."



KL Railway Station, pre-dawn.

This is the view from the other side of the train. The first shot I took—in the original post—remains among my favourite railway scenes to date.


* * *


On the trip I put two new pieces of gear—the 28mm and 105mm lenses—through their paces; the former is among my favourite and most-used lenses today, and the latter testified to Nikon's tank-like manual-focus lens engineering, surviving a rather nasty drop from a Land Rover up on Taiping's Bukit Larut.

I shot two Ilford films: HP5 Plus 400 (two group shots above) and FP4 Plus 125 (the rest of the photos above). HP5 was my go-to film until I discovered Kodak's Tri-X during the ET shoot; the former has great contrast, while the latter is much more generous in the midtones and has a certain granular characteristic which I promptly fell in love with.

FP4 Plus, however, remains largely unrivalled among all the B/W films I've shot—it seems to come into its own shot in relatively diffuse, low-light, low-contrast situations. The pictures above were developed at E-Six, and it remains to be seen what I might have been able to pull out of it had I developed it at home.

Saturday, June 30, 2012

Thoughts on University Policy

Over lunch yesterday, C. and I talked about the VC and his policies, among other things. In particular, the ridiculous standards set for lecturers in the arts and humanities, who have to publish papers in ISI journals as well.

As I was sweeping the floor this morning, I thought about all of that, and about our government, and about ethics and the voice of the people and what it is we really want. I remembered that line from The Magician's Nephew, where Aslan tells young Digory, "All receive what they ask for, but they do not always like it."

We want non-corrupt leaders, but are we non-corrupt people? I can't help feeling that the calling of the Church in our present political climate is not so much to lead the charge in voting, but to show the way in living. Things are so politicised these days that I think we are losing sight of the real battles. Everyone talks about changing leaders and circumstances; no one talks about changing themselves.

Why don't we attack the government for not banning Chatime, for instance? All that overpriced sugar and unhealthiness! We live lives of double standards, and we would do well to shut up sometimes.

At the risk of overquoting Kang's "Different shirt, same shit" pronouncement, I'd say that's the point we are missing: we're changing the wineskins but doing nothing about the wine.


Back to the VC.

He inherited a university that was down some distant rungs in the Times World University Rankings. Many are quick to point out that rankings are not everything, but let me say that my parents were, six years ago, extremely hesitant about sending me to the University. I agree that rankings are not everything, but we live in a world where public opinion is so twisted by the media, that no person or organisation will ever get its due unless the media approves. Also, it is no secret that serious research in the sciences had been shelved for many years. For reasons as these, our current VC was the right man for the job.

I am sympathetic to the plight of the arts and humanities community, and of those lecturers who are better teachers than researchers. I consider myself more inclined to teaching than to research, and my honest answer to the VC's persistent, "So Ben, when are you doing your PhD" question is this: "Sir, I have always very much desired to lecture, but I do not see myself doing academic research of such rigour. Unfortunately I cannot be of service in the academic structure you have designed."

In all of this I am not against him, because if I had inherited the University as it was in 2008, I don't know how I could have done better to appease the rakyat's chants of, "Do something about our rankings!" Furthermore, there was a lot of deadwood—there still is, actually—in the ranks of faculty members. It is a pity that he is more preoccupied with numbers than quality, leading to an influx of questionable foreign students, to dodgy collaborations in order to land certain journals, and to the neglect of some really good (but with little commercial or ISI value) research. And yet, some hard decisions had to be made if a systematic transformation into a 'research university' was going to take place.

Key word: systematic. I have never quite understood engineers, but I know they are more concerned with efficiency over ethics, with 'getting the job done' than with doing something really great and colourful and wonderful. If an engineer produced a movie, they would go for something safe rather than something risky but possibly groundbreaking. (I draw these inferences from personal experience with engineers.)

I can understand why he cannot tolerate subjectivity, because if you start making exceptions to some cases, you have to start making exceptions to others. It makes for difficult steering of the battleship. Football coaches like Otto Rehhagel and José Mourinho have never been popular, but they get the job done.


All in all, it is time for the public to decide on what they really want. In particular, on whether they want good education irrespective of where the University sits on the rankings chart—and if so, what yardstick should be used to evaluate the University.

After all, we live in a silly world where applicants from Malaysian universities need to take TOEFL to get into the States, but graduates from Singaporean universities do not, simply because English is considered to be the 'first language' of Singaporean universities. Never mind that many Malaysians speak way better English than Singaporeans.

There is no reliable indicator of anything, and perhaps the words of my mother's cousin were the wisest of all. When I asked her, five years ago, what she thought of my parents' fear of local varsities, she said, "It really depends on the faculty. Go and visit it for yourself, and decide." I took her advice and went to see the Dean. I liked what I saw, and I can say in retrospect that I would not trade in my years of learning in this University for anything else.

There was much I did not, and still do not, like about the University. But I learnt the value of wise discretion in making judgements, and in that sagely quote from Pixar's Ratatouille: "Not everyone can cook, but a good cook can come from anywhere."

Wednesday, June 27, 2012

Whitman's grass

A child said, What is the grass? fetching it to me with full hands;
How could I answer the child? . . . . I do not know what it is any more than he.

— Walt Whitman


(Thanks, Mel.)

Sunday, June 17, 2012

Klang Gates Ridge, 12 May 2012

On Saturday, 12 May, I found myself once again on the Klang Gates Ridge. Second time with George, and first with Firdy, Adila and Emily—I think we were trying to relive the Gunung Merapi high (no pun intended).

We got off to a late-ish start, after some drinks at PJ Hills, and it was well past 7.30 by the time we started the ascent. It was cloudy, and given our late start I did not expect much. But the light on the top was quite another (happy) story.

(Note: Some formatting problem seems to have beset the pictures below. Click on the pictures to view them in proper resolution—Blogger seems to have mispixellated them here.)


* * *



It was unusually misty, even at 8 o'clock.



Peak on the southeastern side shrouded in mist. View through foliage, 8.12 a.m.


 

By 8.30 the sun is usually too high for subtle lighting, but on that day the clouds and mist were so thick that the light shining through took on such a mystical, magical quality.

Taken out of context, this could well be a view over some lush jungle in Pahang or Sabah. (8.37 a.m.)


 

Klang Gates dam, 8.43 a.m.



Ampang, on the western side of the ridge.


 

A sole, left behind on the trail. 9.08 a.m.—nice shadows!


 

Adila, Emily and Firdy.



Great to start kids out young!



Firdy on one of the ridges. Since my last visit, handholds have been installed in the face of some of the (steeper) ridges.

While this technically defaces the natural ridge surface, in the interest of safety it is probably a good idea. Still, free-climbing is the most fun!


 

The mossier parts beyond the seventh ridge.



The rambutan man.



The cempedak tree.

Friday, June 15, 2012

Random collected thoughts

Ben: Why would I in my right mind [want to use film?]—
Kaun: Ben, you’re never in your right mind.

* * *

I nearly didn’t miss the train: that line rings true again of the Hayabusa, and of all the things that did and didn’t work out of late.

Every road is a risk. Every train I didn’t board still took me somewhere.

 * * *

The VI is like what Siu Lin said of Mensa: what you get out of it is what you put into it.

Praba's 'big picture' advice last year keeps ringing in my head, especially after recent conversations with Li-Shia. The world really does look different when you see it through the eyes of the 'big picture'—you realise the things that really are at stake are probably not what you first thought them to be.

* * *

Again, that pressure to do what someone in my position 'ought' to do. (More in the email conversation with Tim last night.)

Well, let's see where July and August lead.

Wednesday, June 13, 2012

On choosing rulers

The first reading in the Revised Common Lectionary for this week comes from 1 Samuel, chapter 8.


* * *


Then all the elders of Israel gathered together and came to Samuel at Ramah and said to him, "Behold, you are old and your sons do not walk in your ways. Now appoint for us a king to judge us like all the nations." But the thing displeased Samuel when they said, "Give us a king to judge us." And Samuel prayed to the LORD.

And the LORD said to Samuel, "Obey the voice of the people in all that they say to you, for they have not rejected you, but they have rejected me from being king over them. According to all the deeds that they have done, from the day I brought them up out of Egypt even to this day, forsaking me and serving other gods, so they are also doing to you. Now then, obey their voice; only you shall solemnly warn them and show them the ways of the king who shall reign over them."

So Samuel told all the words of the LORD to the people who were asking for a king from him. He said, "These will be the ways of the king who will reign over you: he will take your sons and appoint them to his chariots and to be his horsemen and to run before his chariots. And he will appoint for himself commanders of thousands and commanders of fifties, and some to plow his ground and to reap his harvest, and to make his implements of war and the equipment of his chariots. He will take your daughters to be perfumers and cooks and bakers. He will take the best of your fields and vineyards and olive orchards and give them to his servants. He will take the tenth of your grain and of your vineyards and give it to his officers and to his servants. He will take your male servants and female servants and the best of your young men and your donkeys, and put them to his work. He will take the tenth of your flocks, and you shall be his slaves. And in that day you will cry out because of your king, whom you have chosen for yourselves, but the LORD will not answer you in that day."

But the people refused to obey the voice of Samuel. And they said, "No! But there shall be a king over us, that we also may be like all the nations, and that our king may judge us and go out before us and fight our battles."

— 1 Samuel 8:4-20 (ESV), emphasis mine


* * *


One of the recent events that has been taking the country by storm is the controversy surrounding the spending of half a million Malaysian ringgit on three letters and a number. It is something that might be seen as a 'reverse 4D jackpot', in which, contrary to the custom of submitting numbers in faint hopes of landing a substantial wad of cash, the 'winner' this time splurged that very sum of money in return for the numbers.

There have been arguments on both sides, for and against the said action. The way I see it, such wanton spending is, in principle, wasteful and wrong. But then that is what the rulers of this world are entitled to do—have we not seen this pattern repeated throughout history, from the Pharaohs of Egypt to the Queen of Sheba, from Solomon to the Caesars of Rome, from the royal houses of Europe to the tribal lords of Africa, normal human beings elevated to an embarrassing and totally undeserved level of opulence?

Perhaps there is an answer in today's reading of Scripture.

We find that God had indeed warned of the consequences of appointing human rulers in the place of God. Today, we oppose such 'unfair' practices in the name of some virtues like 'democracy', 'equality' and 'human rights'. But we have not addressed the issue at heart, which is the rejection of God as supreme ruler of our lives. Contrary to the Levitical command to "be holy, as [God] is holy," the people instead chose to be "like all the nations"—they exchanged a unique consecration in order to be just like everyone else.

The Son has come to set us free, but we have instead chosen the path of slavery. Enslaved not to kings and rulers, but to our confidence in our own abilities, our assurance in our independence; enslaved to a life free from God.

We have overthrown kings and replaced them with bureaucratic governments. They come in different shapes and sizes: communists, democrats, fascists, conservatives, liberals, what have you. As my friend Kang says, and I loosely apply the quote here, "Different shirts, same shit." And even where we think we have gone beyond the confines of such forms of government, we yet again enslave ourselves to other superpowers like the 'private sector' and 'corporations'. At the centre of all of this is a preoccupation with ourselves, our rights, and our welfare.

But the Bible is clear on where the Christian is to stand in all of this. Mr Lian said as much, time and again during Bible study in years past: "The Christian relinquishes his rights." When Jesus said, "No student is greater than his teacher," he surely meant that the follower of Christ should not expect to be treated better, or any differently, than the Christ—else why follow him?

Do I have a stand on the numbers-and-letter issue? Of course I do. But we need to open our eyes to the bigger issues at stake, to the bigger picture of the way in which we are living our lives. If our desire is to be 'like the world', then the verdict of Christ is unflinching: "You have your reward in full." What reward do we seek, then? The answer to this may better point us in the path we ought to walk.

We are governed, like it or not, by rulers, whether within or without, human or otherwise. Who are our rulers, and who is our Ruler?

Monday, June 11, 2012

Some things worth remembering

Never do something because it’s the 'in thing', or because someone told you to. Be true to yourself, remember that what is in today, will be out tomorrow.

When shooting portraits, your subjects should be in an environment comfortable to them, doing what is comfortable and natural. Anton’s photographs of U2 are a paragon of portraiture. As some have said, “He captured the music, not just the musicians.”

Be true to yourself in love, because the person who is worth it is the one you can love for who he/she is, and who will love you for who you are.

The world is full of masks and masquerades. If you want the security that the world promises, then go with it, for it is the only way to go. But if you want a life less ordinary, if you want a life down the road less travelled, then don’t follow the world and its rules.

You will bring greatest encouragement, peace and hope to others when you are most truly yourself. And you are most truly yourself when you let go of the self you are trying to be.

The whole business of 'making an impression' should not be an act. Rather, it should be like the impression a meteor makes when it crashes into the earth: an impression that comes from from the meteor itself, and not made by a hundred labourers digging an artificial crater.

Sunday, June 10, 2012

Thoughts as I approach twenty-five

Updated 'diary' with a four-page entry titled "Thoughts as I approach twenty-five".


* * *


The Desert Father Anthony said, "In whatever place you live, do not easily leave it."

It was a thought-provoking discussion that I 'eavesdropped' on in YL today: the young father wondering what the SLR advantage really was, and being so taken by the 60 fps ability of the Nikon1. It was a wise and true answer that the young staff dude gave: DSLR advantage is in the sensor size—larger sensor, finer detail.

But people don't need that sort of detail anymore, I realise, not in an age where 'big screen' means desktop monitor. APS-C (consumer DSLR) sensors are more than big enough for that. As for frame rate, my medium format takes probably a few seconds to nail one shot, and it takes eight frames per... second? No—per roll!

As I approach 25, I want to stop flirting and start seriously working on things that will last. It's not the norm in an instant, quick-change society, but Mich says I'm "safe from ever living a normal life". And maybe I can live with that, after all.


* * *


Is it written in the stars
Are we paying for some crime
Is that all that we are good for
Just a stretch of mortal time

Is this God's experiment
In which we have no say
In which we're given paradise
But only for a day

Elton John and Tim Rice, 'Written in the Stars'

Wednesday, June 06, 2012

For you, Jean

 

I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.

T.S. Eliot, 'East Coker'


* * *


So what's wrong with waiting? What's wrong with biding your time and outlasting those moments when 'the day is as dark as the night is long'?

In his review of Clint Eastwood's movie Invictus, Roger Ebert describes his own visit to Nelson Mandela's cell: "You regard that cell and you think, here a great man waited in faith for his rendezvous with history."

So what's wrong with waiting?

Moses spent the first 40 years of his life living in princely opulence in Egypt; the next 40 wandering the desert, raising sheep and a family; and the last 40 leading the Israelites out of Egypt and into the Promised Land of Canaan, defeating Pharaoh's armies and a host of other nations along the way.


* * *


Right: "Whatever you need to do, do it now. By 4.30 you must be ready."
Left: "I always believe there's a bright side to things."



"You make me believe what tomorrow could bring when today doesn’t really know."

Air Supply, 'All Out of Love'

Monday, June 04, 2012

Hanging Out to Dry

 

I'm hanging out to dry
With my old clothes
Finger still red with the prick of an old rose
Well the heart that hurts
Is a heart that beats
Can you hear the drummer slowing

One step closer to knowing
One step closer to knowing
One step closer to knowing
To knowing, to knowing, to knowing

U2, 'One Step Closer'


(Picture: Concubine Lane, Ipoh, June 2012)

Sunday, May 27, 2012

Thoughts on Pentecost

Went for Mass with Tien at SFX this morning. I think the last time I went for Mass was in Hawai'i, in May/June 2010.

I was very impressed with the church building: no air-conditioning, only fans; lots of natural light, and minimal ceiling lighting; trees all over the church compound. Things you no longer see in modern 'concert hall' church auditoriums. Yet these things live on in that great Catholic tradition.

This, to me, is what a church should physically be—a living space that nourishes the soul.


* * *


Agnus Dei, qui tollis peccata mundi, miserere nobis.
Agnus Dei, qui tollis peccata mundi, miserere nobis.
Agnus Dei, qui tollis peccata mundi, dona nobis pacem.


* * *


"What defines post-colonial and Independence-era buildingse is the usage of relatively inexpensive materials to come up with novel designs that are practical in our tropical climate."

— Ben, after Mass, talking about the new Chancellery vs the old


* * *


The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one dischage from sin and error.
The only hope, or else despair
Lies in the choice of pyre of pyre—
To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.

— T.S. Eliot, 'Little Gidding'


* * *


Fake your death and only tell your closest friends

Oh my God
Can I complain?
You take away my firm belief
And graft my soul upon your grief

— Jars of Clay, 'Oh My God'


* * *


And there, just outside that trinket shop where Tien said, "This is what I miss about Malaysia—finding books in random shops," there we walked past Captain America and Michael Jackson.

Amcorp Mall is probably the only place where superheroes can look normal.

Wednesday, May 23, 2012

In a Thousand Words or Less

For Emily Chow.


I. Dead End

It was at the cul-de-sac, that
The squatters in their makeshift homes and caravans
Lit fires in the evenings, burning wood and coal,
The women carrying bags upon their heads;
The neighbours planting vegetables in the patch below.

And then the other green, the overgrowth and pond
And the geese—
And the surprised Dachshund meeting birds taller than himself.

There are places I remember all my life
(Though some have changed);
Some have gone and some remain.

First fresh, now peaceful, breeze:
But who am I to say? (I live on one of these.)
And the garden, perhaps an attempt at redemption
Trying to keep life alive.
But what use is it?
So I’ve a degree—I know the words, the theory
But it doesn’t make of me a gardener,
Of these brown, crumbing clods of earth, green fingers.

We’ll meet at the Centre Court, Level Three
(Wherever that may be.)

The poison-girdled tree was probably deciduous—
Its leaves were gone, branches bare
Yet it was standing,
Always standing there.

Unless the Lord builds, they labour in vain who build the house,
They watch in vain upon the ramparts and the towers.


II. The Market

We’re already on the way back
Help us buy two hanging monkeys please—
It’s just outside the place,
Just outside the place where
Dreams of what could be lie,
Where dreams belie what could be.

“Offer hari ini, lima ringgit saja
Very cheap today! Yes—hello!”
We and our bargain lives;
When you pay rock bottom you hit rock bottom
And rock bottom breaks you.
The people who throw rubbish out their car windows
Are those who, afflicted with dengue and diarrhoea
Complain that the government isn’t doing anything about clogged drains.

On my way to Lucifer I found Christ;
Or maybe Christ found me walking down that street
And greeted me with the sound of singing
That only comes from that sort of place where
Joy abounds abundantly,
Aboundingly abundant in praise.

(It was the singing drew me in.)

A prayer on the streets of
Calcutta In the back alleys of Yogyakarta
Or in a secret room in Cheras;
When you have learnt to seek God it becomes
A means of great sanctity to you, to those around you.

Will you at this time restore the kingdom to Israel,
Will you at this time restore?
We were meant to live for so much more.

Let your fruit abide.
Whatever you ask the Father in my name
He will give to you:
Greater love hath none than this,
That you lay down you life for another.


III. The Inner Room

In that inner room, where the noise of the world is drowned away
In silence;
Where emptiness fills the spaces filled with emptiness,
And the emptying is preparation for a new fulfilment.

In that inner room,
The introspection of a writer meets the action of a superhero;
You’re well set on having a good balance of both
And safe from ever living a normal life.

Living on the edge was never going to be easy.

What of friends,
Of Davids and Jonathans,
Of brothers with bonds stronger than blood?
We are the envelope,
Emaciated, etiolated—empty on the inside,
Waiting for our filling with words
Our filling with the Word that is more than words,
With the spirit and the power that enables us to testify
With words beyond the power of words.

But these are not the words of the wise.

My spirit is overcome with fear,
I cannot dance to save my life
(I have the flexibility of papadum)
But I am not dancing to save my life;
I am dancing because this bitter earth calls me to dance
To sway and to swing
To swirl and show a sign that I am alive.

Service
Knowing that in giving you can never outgive,
Providence
Knowing that the words will come when they are needed
(Did you lack anything when I sent you out?)
Sacrifice
Knowing that in dying you may yet live.

I know that this is not goodbye.


IV. At an Exhibition

In a thousand words or less
You have captured a moment—
A minute before, a minute after, and it will be different.
It doesn’t matter if people do not like it; that is their problem.

Stun these people, hear them say
That they have never seen such as you, such young people
Carry themselves with such grace and confidence,
With passion and compassion.

Stun these people, hear them say
That they have never seen such sacrilege
Such utter disrespect and contempt for austerity
And tried and tested ways.

But listen to what people say, good or bad;
All our fingers are different—
Everyone will have a different opinion.

We will be there, see you then.


V. Still, and Still Moving

Matur nuwun—
They probably knew that word, those squatters
(They might have, I don’t know.)
Don’t know what to say now
But ‘thanks’ is perhaps the best word a stranger, a foreigner, can learn.

What does it feel to have those tractors
Desecrating this sacred tract of land,
This earth that gave life birth for so many, many years,
To have the ground yanked from under your feet?

Jack’s has iPads; or Galaxies—they’re all the same to me.
Remember when salons had magazines?
We wanted kids to read, and then comic books came;
Wanted computer literacy, then the iPad came;
To be adept communicators, then Facebook took over—
All good intentions subverted.
(Or maybe today, it doesn’t matter what your intentions are anymore.)

We are wisest when we do not hoard
What we cannot keep anyway.
Learn to give when you have nothing left
For it is the right thing to do;
As a man is in his poverty, so will he be in prosperity.

All aboard!

A bowl and two pairs of chopsticks
Sitting by the sink;
But this ship is unsinkable, or so we think.


* * *


Completed on 21 May with some ideas sketched as early as February.

Friday, May 18, 2012

Emergence


The floods have lifted up, O LORD,
the floods have lifted up their voice;
the floods have lifted up their roaring.
Mightier than the thunders of many waters,
mightier than the waves of the sea,
the LORD on high is mighty!

Ps 93:3-4 (ESV)

It's nice to have sharp students. But a teacher must take the blunt in stride as well, remembering that both knives and mallets may well serve their purpose. Above all, don't give up.

Everyone wants to be that teacher who taught this great person or that. Who wants to teach students who will never amount to anything, who will attain neither wealth nor fame? Yet it is these teachers whom eternity will applaud, because they dared to go where no one else would have dreamt of.

This butterfly was drying its wings the morning of Teacher's Day, on the 'dark side' of the pot on which Ryan usually rubs his snout. I couldn't help but feel it was a gift to all of us—a reminder that some things take time, and that we ought to persevere against all odds.

Here's to the million butterflies we never see emerging.


* * *


On a separate note, my Henri Cartier-Bresson and Raghu Rai books have arrived over the last few days!

Wednesday, May 16, 2012

Grapefruit Sky

It was a grapefruit-pink sky the other day when I set out to meet Joy for dinner at BVII. I couldn't resist, and pulled over shortly after passing Pandu Puteri, got out of the car and squeezed in a few shots on the handphone.


Tenaga Nasional Berhad substation.



The Rapid KL passes between the Kerinchi and Universiti stations.



Setting ball of fire beyond UM in the west. 


 * * *



Cool Google Doodle!

To paraphrase that Hawaiian Airlines pilot in June 2010, "Happy Teacher's Day, all you teachers on board, teachers-to-be, and teachers-at-heart!"

Thursday, May 10, 2012

Back to the drawing board


Teluk Pandan Kecil, Bako National Park, Sarawak


So good to know that baby Liam's doing well.

But as I re-read the encouraging update, I thought about how I haven't been praying and reflecting as much as I ought to, and these words came to me:

Perhaps I need to learn to seek You more,
To sit down and colour and paint and draw.

It felt so good to put pencil on paper again, to revisit this scene from last year's Kuching trip. And it was such a good conversation the other night.

Happy birthday, once again, Ming!

Monday, May 07, 2012

Swimming

On my way back from the stationery shop this afternoon, I came across a swimming promotion in the Leisure Mall foyer, outside Kenny Rogers. There was Arena swimwear on sale, and a booth set up by this UCSI-based group called Swim The World (website here).

Seeing all of that really made me feel like swimming! I haven't gotten anything in the way of swimming this year, so far. All my trips have been to cities and mountainous/forested areas. I so need a beach holiday. Adila claims I have goat DNA; sometimes I wonder if I have a bit of fish DNA, too.

Later in the evening, on my way back from Pudu, there were these two guys in the LRT, chatting animatedly in Cantonese about The Avengers. One of them was wearing a red T-shirt, but the other was far cooler: a cap with the Batman logo, and a T-shirt with the Jaws poster image and words along the lines of "Say no to shark's fin".

Saturday, May 05, 2012

The Deep End

Ken Rockwell has a post today on 'Real Nikons', in which he writes:

"I so love shooting a real Nikon. It just goes, and the fully professional F3 weighs much less than the amateur D800 or 5D Mark III. The F3 runs for years on a pair of A76 batteries that sell for less than a dollar. My 5-year old can figure it out, while not even I can figure out most of how to get a D800 to go. The F3's owner's manual is only 46 pages of well-illustrated simplicity, while the D800's manual is 450 pages of meaningless menu nonsense."

Here's an interview with John Sexton on why he still likes traditional black-and-white. He makes a good point about the art and experience of photography when he says you've got to enjoy what you're shooting. If you're shooting a landscape, you'd better enjoy it, so that even if you don't get to make any photographs that day, you will still enjoy and appreciate the experience of just being out there in the wilderness.

In either case, I thought about how I learnt photography—just by going out and shooting. It works the same for both film and digital. And then I thought about my approach to teaching, my 'education philosophy', so to speak: I'm a product of the 'deep-end' school of learning.

Miss Shanti knows all about this: throw the kid into deep waters, and in struggling to stay afloat he will learn so much more than he would have any other way. Go in there, get deep and dirty, experiment much, make many mistakes, learn a few things, make even more mistakes, learn a few more things. And be the best you never imagined you could be. As Geoffrey Rush's character in Shine says, "You win some, you lose some; you can't lose 'em all."

Great books are not written by people who churn out half a page of writing a year; great landscapes are not taken by people who refuse to get up, get out and fight the elements.


But the best part of the journey is still being able to share it with people who mean the world to you. And today just happens to be the quarter-century anniversary of some of those people.

To Kaun, SooT and Teeming: a most blessed 25th. May the next 25 years, and the 25 thereafter (and so on!) be even richer and more amazing than the last. Let's grow (old) together! ;-)